| There is Xerxes’ extremist father
Cyrus II Khodaiji (Sohrab Ardeshir) claiming to be a religious
healer who misleads the Parsi community by propagating that
Parsis should not pollute their blood by mingling with other
communities. To which the liberalist Boman Presswala objects
by the medium of his community newspaper. The communal conflict
between the two forms the crux of the movie, giving rise to
many other relationships of love and hatred alongside.
Through this film and her understanding of the Parsi community,
Sooni Taraporevala has tried to throw light on the long existing
internal dispute amongst the Parsi community between the fundamentalists
and liberalists. However, the mood of the film is light-hearted
interspersed with warm moments and the quirky sense of humour
normally associated with the Bawa community. The all-Parsi
star cast makes the film more genuine and realistic with each
character etched well by Sooni. Her own kids Jahan and Iyanah
have an easy screen presence. Boman as the progressive Parsi
is a delight with his impeccable comic timing. Imaad Shah,
the only non-Parsi in the film, exudes the charm of a young
Naseer and ditto with his act on screen. Other characters
from Mahabanoo Mody Kotwal to Sohrab Ardeshir, Shernaz Patel,
Cyrus Broacha, Kamal Sidhu, Kunal Vijaykar and others fit
in to give the film its authentic Parsi flavour.
It would have helped if some more background account was given
on the Parsi origin except for the fact that they migrated
to India when Arabs attacked Persia.
The film does get a little boring at times, but it does a
great job of capturing the lazy charm of Mumbai’s Parsi
community. And if you are one with a broad taste, you will
fall in love with the film and savour the innocence of this
Bawa tale.
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